In the early 20th century, sculptor William Edmondson (c. 1874–1951) was recognized as one of the most important Black American artists of his time. Inspired by a divine calling, he developed a career making headstones for the city’s Black cemeteries and soon expanded his repertoire to include freestanding figurative sculptures depicting nurses, teachers, angels, and preachers. Edmondson was the first Black artist to have a solo show at MoMa.
The exhibition identity features monumental typography, with an oversized title displayed prominently on the wall, creating a sense of grandeur. A rich green, inspired by Edmondson’s spiritual connection to nature and the grassy surroundings of his tombstones, is used throughout.. Textured paper was chosen to echo the tactile quality of the stone, enhancing the sensory experience. The typography combines a chiseled form, reminiscent of stone carving, with a bold, chunky typeface, reinforcing the strength and craftsmanship central to Edmondson’s work.
Art direction and design: Pauline Nyren
Typefaces: Migra by Pangram Pangram, Degular by Oh No Type
Photographers: Audrey Gallagher and Alex Rotundo
Curators: James Clairborne and Nancy Ireson, supported by TK Smith
![]()
The exhibition identity features monumental typography, with an oversized title displayed prominently on the wall, creating a sense of grandeur. A rich green, inspired by Edmondson’s spiritual connection to nature and the grassy surroundings of his tombstones, is used throughout.. Textured paper was chosen to echo the tactile quality of the stone, enhancing the sensory experience. The typography combines a chiseled form, reminiscent of stone carving, with a bold, chunky typeface, reinforcing the strength and craftsmanship central to Edmondson’s work.
Art direction and design: Pauline Nyren
Typefaces: Migra by Pangram Pangram, Degular by Oh No Type
Photographers: Audrey Gallagher and Alex Rotundo
Curators: James Clairborne and Nancy Ireson, supported by TK Smith
